Archive for January, 2009

THE NEW YORKERS

January 30, 2009

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Chances are pretty good that [if you live in New York] you’ve never watched an entire episode The New Yorkers, a talk show only by the very loosest definition, and a long-running Manhattan Access marvel.

Chances are even better that [if you live in New York], you have watched a few seconds of it, wondered what in the hell you were looking at, and then moved on.

You’ve never heard of the guests. The host, the eternal James Chladek, wears the same mustard-colored suit, vintage 80s computer glasses, and a slightly dazed smile on every show A mysterious person yells from off camera. Sometimes you hear him, sometimes you don’t. I like to think of him as invisible.

Chladek’s interview style is sort of akin to a slightly drunk relative or an uninspired guidance counselor. Here’s a transcripted sample from one of the links below:

GUEST: I was a drummer–

CHLADEK: What do you mean you were a drummer?

GUEST: I played drums.

Inevitably Chladek will get hung up on some thoroughly uninteresting detail, and work it to death, like a child tearing up pieces of grass on a field.

He will gently but forcibly inquire as to what a guest’s real job is, or where they are staying in New York, and then you witness a human being deflate like a microwaved pastry as they answer, “I am a receptionist,” or “I’m staying in Jersey.”

Over the years I have learned many things from The New Yorkers. They’ve had the youngest person to perform an autopsy in Australia, who is now a strange and compelling woman who recommends you regularly cleanse so that your internal organs do not stink when they’re forcibly removed from your body. When I find this clip, I will save it and never ever throw it away.

At some point, and I wish that I had taped this, a guest revealed that she made met Chladek while he was the camera man for a pornographic film, which she was in. Amazingly, he didn’t blush, balk, stammer, or squirm. Same smile as always.

He is a rock. A mustard-colored rock.

I first heard about The New Yorker’s in 1995, when a friend who writing short fiction at the time told me that she was going to be on, “This weird old guy’s show. I don’t know, it’s like Late Night with Bob or something.”

My mental impression of hearing this, having known nothing about the show, is nearly identical to how I feel about it after having watched it for years: It is weird and alienating and in that sense, thrilling.

I haven’t watched any public access in a long, long time, and my blood pressure is finally at a normal level and I can sleep at night without screaming. But you, dear reader, are young and vital. Come! Face the public access, and confront the ugly truths of the world.

SHOW HIGHLIGHTS

Hrmm. Mrmrmrm. Whatever. Some suspicions regarding the internet and word usage, profound confusion after a video clip, and general disinterest during the Jonathan Harford interview.

This is the best introduction I could find: watch the guest struggle for dignity and meaning, as absurdity seeps into the studio like a great flood.

Not the “A Bronx Tale” That You’re Thinking Of. Ever heard of mach-e-a-vell-i? I think we’ve started a new trend in television.

Prepare to be baffled.

How Did You Get Over the Border? An aspiring teen singer from up north. Chaldek suspects that he rowed here from Canada. What do you mean a drummer?

This is painful on so many levels.

Taste the Freedom and Step out of the Cage. As good as he is with the dudes, Chladek reaches new heights whenever a lady is in the studio. Notice as his voice starts to hit an upper arc.

Sex drugs and rock and roll? Let’s not go that crazy.

That Hat’s a Little Big. Nothing really great happens here. But I just love that this was shot from off the TV. I just love it.

I’m trying to find out whether the show is still on — if you can vouch for its existence, please comment below.

SAVE THE 1916 RIDGEWOOD THEATRE

January 28, 2009

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New York City’s oldest movie theatre is in Ridgewood, Queens–five screens, remarkable ceiling, all in the middle of not exactly nowhere. Heavily modled after the Strand theatre in Manhattan, the Ridgewood closed last March, with most of Bushwick and Ridgewwod’s occupants completely unaware that it existed.

But we, dear reader, can change that. And we don’t even have to leave the internet!

Sign the online petition here.

There’s a little bit about the Ridgewood theatre’s long history here.

ON MY SIGNAL, WE SHOOT THE FLAMING ARROWS

January 23, 2009

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Archers!

On my signal!

Wait–

Wait–

Oh, hey, Tom. You made it just in time, we’re about to shoot down our prey with these flaming arrows.

Hang on everybody, let’s get Tom a bow so he can help out.

You brought rifles? Yeah, uh, we could have used those rifles, maybe like a second ago, but the group and me kind of decided that we would use these flaming arrows instead. Here’s your bow.

What? Oh, well, yeah rifles are great, but I think everybody was pretty excited about using the bows. And, you know, the flammable liquid isn’t cheap, either.

So it’s a Bow Show for this one. I didn’t make that term up, they really call it that.

You’re not taking the bow. The bow is what you use to shoot the flaming arrow. That’s why they call it a bow and arrow, and not just “arrow.”

Hurry up, the darn thing is going to burn away if you don’t shoot it.

Oh my god! Will you shut up about the rifles? It’s like you won the rifle raffle or something and you are just going to blab on about rifles. We’re losing valuable arrow time.

Damn it! They’re getting away! We must shoot them with our fire arrows, so that the last thing they see in this cold, black night, is our firey wrath!

OK. Very funny. You know what? If I’m the only one shooting flaming arrows, it’s not going to look good, so I’m going to ask you to put down the rifles–

Fine. Fine! Shoot the flaming arrow guy. I’m just trying to help.

Have fun trying to pick up your bullets in the dark.

TODAY’S CHAT WITH MY BROTHER

January 20, 2009

Andrew: i have a proposal
we bring borat back
its the perfect time
the whole country is now “over” the whole borat thing
it will be totally meta
Sent at 6:09 PM on Tuesday

me: that is thinking outside the borat.
could he just talk like sasha baron cohen?
and have a quest to discover his true self?

Andrew: ooooo
yeah
maybe
Sent at 6:15 PM

IRISH MOSS PEANUT BUTTER DRINK OF DOOM

January 5, 2009

I discovered the international grocery store Food Bazaar on a blindly-navigated “how far does Wyckoff avenue go?” tour of my own neighborhood.

Food Bazaar is kind of like Trade Fair with a higher threshold for chaos. If this analogy doesn’t suffice, consider it the crazier sister of any major grocery chain. There is Jamaican food in the Latin American section; bread is near the bottled water; there is a tremendous quantity of humidifiers, medicine, and toys just past the cash registers; the meat aisle resembles a maze — a maze that makes you want to order a salad.

The whole experience is strange and likable; so likable that I thought I would buy something as a memento. And this is where things turn ugly.


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OK. There’s a lot of detail in this picture, which I have stolen from KitchenKiki‘s Flckr page. What you’re looking at is Big Bamboo’s Jamaican Irish Moss (Carageenan) Peanut Drink, which is a black soda can ornamented with an illustration of peanuts and carrageenan, as well as some kind of unholy traffic jam of typefaces.

What’s so striking about the overall effect, is even though you’re looking at something as innocuous as peanuts and carrageenan: the soda genuinely looks a little dangerous.

After pacing the entire grocery store, this can was the only thing in my mind’s eye. So I purchased it. And carried it around for eight hours, wondering when I would feel safe enough to drink it.

I never did feel safe. But I did want to get it over with so I would have something to blog about.

So how did it taste?

It was not nearly as unpleasant as I imagined, but I would not do it again. Imagine a Reese’s peanut butter cup, without the chocolate, mixed with seltzer, in a 3 cup to 1 cup ratio. Maybe with a little chalk dust thrown in for consistency. Which poses the question: Why would anyone drink this?

The answer is ugly, and by that I mean that it is rooted in man’s quest for power. Or more specifically, potency.

I had assumed that Irish Moss was simply a brand name, but there are a number of recipes for Irish Moss drinks in the world, some with peanut butter, some without. So what is it? Well, another seller of this kind of  beverage, Magnum, provides this definition:

Irish moss is a red algae that grows in low-tide areas on rocky coasts of the Atlantic Ocean, also known as carrageenan, for the Irish town Carragheen. It is used as a gelling agent in cosmetics, a thickener in ice creams and soymilk, a cattle feed, as an anti-inflammatory medicine, a clarifier in beer brewing. In the Caribbean it is often mixed with sugar, milk, rum and nutmeg to make a quenching drink that is rumored to have aphrodisiac qualities.

(Italics and emphasis my own)

Presumably, in the interest of “aphrodisiac qualities” the beverage has chalkiness which the peanut butter can’t quite mask, and one can contains 3 grams of protein (Take that, RDA reccomended daily is 0.8 of protein).

[Hello! I make mistakes. Your average container of cottage cheese has four times the amount of protein that this particular Irish Moss beverage does. There's no excess of protein here. Let's move along now.]

I’m going to have to plead ignorance on whether or not said qualities are present in the beverage — feel free to launch your own investigation. But based on my experience, if you can drink the entire can, you already possess a potency, or more specifically, a fortitude, which I do not.

[Big Bamboo Irish Moss is also available as a vanilla-flabored beverage. Wyckoff avenue is a copyrighted and registered trademark of Never Question My Methods]